park guell barcelona – Parc Guell
The entry and the porter’s lodge pavilions
The main entrance to Park Gell is on the south side, on Carrer dOlot, from which visitors can enjoy the spectacular view of the stairway in imitation of the hypostyle room. The wall of the park is made of rustic rock topped considering ceramic tiling and medallions bearing the pronounce of Park Gell. The iron gates, meant in the touch of palm leaves, accomplish not form portion of the native plan, but came from Casa Vicens. To either side are the two pavilions that form the porters lodge. The one to the left was the one actually used as a porters lodge, when a waiting room and telephone booth, even if the one to the right was the porters residence, whence the publish Casa del Guarda, though it is today ration of the Barcelona records Museum. Both have totally pretty roofs, built subsequently the time-honored Catalan clay tiles covered considering trencads, a mosaic made of tile shards.
The Dragon Stairway Park Gell
From the retrieve esplanade a twin flight of steps soars up, flanked by two walls past merlons that form terraces under which there are two grottos. The one to the right was used for keeping the horses and is supported by a magnificent conical central column. The stairway is on bad terms into three sections, along which the water from a fountain runs, subsequently supplied from the tank below the hypostyle room. on the first landing are some capricious shapes when goblins, while halfway stirring the steps is the emblem of Catalonia and extra taking place the dragon, or salamander, covered later decorative tile-shard mosaic which has become the most popular image of the park. on the last flight of steps, sheltered under the hypostyle room, is a Greek-theatre shaped bench.
The Hypostyle Room Park Gell
The great door stairway leads to the Hypostyle Room, which was meant to be the make public for the estate. It is made going on of 86 striated columns inspired in the Doric order. The outermost ones tilt in an undulating movement helpfully contrary to the rules of classical composition, though reinforcing a sharpness of their structural role. The colonnade is crowned by an architrave upon which the undulating bench is placed. A conduit doling out inside it collects the rainwater that filters the length of from the square, sending it upon to an underground tank, which has as the stairway dragons mouth as its overflow. Inside the room the malingering of columns in some sections creates spaces that simulate three naves, in imitation of a great church. The ceiling is formed of little domes build up using the expected technique of clay bricks festooned taking into consideration indigenous tile-shard mosaics made by Josep M. Jujol, one of Gauds assistants.
The Greek Theatre or natural world Square Park Gell
Right at the centre of the Monumental Core of Park Gell is the large esplanade which the native plans called the Greek Theatre and which has more recently been rechristened as Plaa de la Natura (Nature Square). Its original say was due to the fact that it was planned for staging large open-air shows that could be watched from the surrounding terraces. Although Gaud always respected the lie of the land, this large square is artificial. ration of it is dug into the rock, even if the new part is held going on upon summit of the hypostyle room. upon the stairway side it is bounded by the undulating bench covered as soon as tile-shard mosaic planned by Josep M. Jujol, acting as a balustrade, and upon the mountain side by a retaining wall done following large capitals made to see in the manner of palm trees.
The Laundry Room Portico Park Gell
On the eastern side of the Greek Theatre square there is an indigenous iron contact which leads to where there used to be the gardens of Casa Larrard, the former mansion that Gell adopted as his own house, but which has previously 1931 been a ******. The route, which runs at a level vanguard than that of the house, passes through a pine grove subsequent to the portico backing onto a retaining wall made from unworked stone. The portico adopts the involve of a great acceptance atop aslant columns, subsequently a double colonnade that acts as a buttress. It is one of the finest examples of the organic architecture upheld by Gaud. The similar meaning, at in the manner of structural and aesthetic, can be appreciated in the spiral ramp which takes visitors alongside to the house, at the stop of the path.
The Austria Gardens Park Gell
What we now know as the Austria Gardens was one of the zones to be used as plots in the estate. like the Park Gell was turned into a public park, however, the zone was used as a municipal tree-plant nursery. This ration of the precinct has a unconditionally swing see to the flaming of the park, and it got its pronounce through a donation of trees from Austria in 1977. The garden has fine views, and from its middle the two houses that were built in Eusebi Gell’s epoch can be seen: the one belonging to lawyer Mart Trias i Domnech, planned by architect Juli Batllevell, and the home piece of legislation home, by Francesc Berenguer, which was finally acquired by the Gaud associates for their home, and which is now the Gaud house Museum.
The Roadways, Paths and Viaducts Park Gell
Outside the monumental zone of the central share of the park, management east towards the Carretera del Carmel exit, is the Pont de Baix, bridge, the first of the viaducts of the network of paths that back up overcome the topography and affix the various parts of the park. Gaud planned three viaducts afterward a width of five metres, snaking their habit in the works the mountain, to lead carriages from the main right of entry upon Carrer dOlot going on to the high allocation of the estate, the Tur de Tres Creus (Three Crosses Hill). They are known as the Pont de Baix, the Pont del Mig and the Pont de Dalt (lower, center and tall bridges), names that already appeared on the first postcards of the park. They are suspended on a structure of sideways columns and vaults made from unhewn stones taken from the site itself. upon their upper parts, the balustrades are crowned by plots behind vegetation.
The new large arterial roadway in the land is the transversal road, ten metres wide, which connects the Carretera del Carmel past the Sant Josep de la Muntanya exit, running going on for the good square from above. Gaud as a consequence planned three metre-wide paths for people upon foot and shortcuts later than steps and slopes allowing speak to permission to the various plots.